ORIGIN early 17th cent.: via French from Italian gazzetta, originally gazeta de la novità (because the news-sheet sold for a gazeta, a Venetian coin of small value)


Showing posts with label Multiculturalism. Show all posts
Showing posts with label Multiculturalism. Show all posts

Sunday, September 13, 2009

Multicultural Children's Book Festival


The 14th annual Multicultual Children's Book Festival, sponsored by the Kennedy Center in Washington, DC, is intent on celebrating diverse cultures. From the look of yesterday's enthusiastic throng of children, families, teachers, and children's book lovers, the festival was a huge success. Attendees met favorite and featured authors, participated in workshops, listened to readings, and saw illustration demonstrations. The cultures of African, African-American, Arab, Arab-American, Asian, Asian-American, Latin American, Latino, and Native American peoples were all represented. With my ties to all things French, I asked one of the organizers if next year, European countries, with their wide array of languages and cultures, might find a place at the table: Why not share with American children the literature of Denmark, France, Italy, Germany, Belgium, Spain, England, and more... wouldn't that make a fine addition to multiculturism?


I was lucky enough to hear Linda Sue Park read from her delightful picture book "Bee-bim Bop!," a poem about a dish every Korean child enjoys, consisting of rice, egg strips, vegetables, and meat. The joy expressed in her poem made me want to run out to my local market, buy the necessary ingredients, and whip myself up a batch of bee-bim bop. You can imagine how pleased I was when, later that evening, I discovered the recipe at the end of the book. She also presented "Yum! Yuk!," a fold-out book of people sounds expressing sentiments such as distaste, laughter, and surprise. As she pointed out, we say things one way in English, but in other parts of the world, the same human exclamations are voiced very differently. Her first presentation had the audience eating out of her hand while the second had them squealing with delight! I can't wait to share these two books with my new class of first graders at the lycée. When I finally got the chance to chat with her, she signed a copy of her work of a more serious nature for middle grade children, "The Single Shard," winner of the 2002 Newbery Prize. With its unforgettable characters, timeless theme, and vision of artistic endeavor, this quiet but forceful story is one of my favorites for young people.


If my encounter with Linda Sue Park was lighthearted and fun, meeting and speaking with Anne Sibley O'Brien, illustrator, writer, and peace activist was just as much a treat, but on a whole other level. Anne spent her childhood in Korea and has long been passionate about multiracial and multicultural subjects. I choose to purchase "The Legend of Hong Kil Dong, The Robin Hood of Korea," a picture book in graphic novel form, which I have now read and adored! Hopefully, my school will let me order 20 copies for my fourth graders. Stories such as this one are ageless and children need to read of other children whose courage is tried and tested.


Of all the beautiful books I saw on Saturday afternoon, the one that moved me the most was the book Anne has co-authored with her son, Perry Edmond O'Brien, "After Gandhi: One Hundred Years of Nonviolent Resistance," published by Charlesbridge. This work contains profiles of fifteen activists and movements for social justice in the spirit of Gandhi's nonviolent resistance. In a presentation at the end of the day, she read to us the passages concerning César Chávez and Aung San Suu Kyi. In the book, we also find Mohandas Gandhi (of course) as well as Rosa Parks, Thich Nhat Hanh, Charles Perkins, Muhammad Ali, Mairead Corrigan and Betty Willams, Wangari Maathai, Nelson Mandela, Václav Hav, all of whom were inspired by Gandhi, his words, and his deeds, and all of whom have worked through peaceful ways, to fight injustice and better the world (and some of whom, I am not proud to say, I had never heard). The Madres de Plaza de Mayo and the Student Activists of Tiananmen Square are also presented. Most importantly, she raises the question of nonviolence in shaping our future. My questions now are: how do I share these profiles with my students? Beginning at what age? In what context? How does one learn tolerance? How does one teach tolerance?


Tuesday, February 24, 2009

Why I Love Teaching First Graders










Mouhamad is boisterous
Aglaé is sweet-tempered
Lily is as smart as a whip
Inès is endearing
Patrick has a voice to sing opera
Claudia is perspicacious
Santiago loves color
Brayden is coquin
Nayla is blissfully happy
Situ Coralie's the boss
Alexandra is playful
Cool Kenan takes it all in
Justin bright as a new penny
Colombe is as sweet as a dove
Eric sees everything and gets it
Alara?  She is Turkish delight

With sixteen students and twelve nationalities ranging from French to Turkish, from Mexican to Lebanese, from Belgian to American, from Spanish to Senegalese, from Togolese to Brazilian, and from Korean to Burundian, why wouldn't I love teaching first graders?  Well, there's always the bouquet of languages that I love, too.
I'll name a few:
French English Arabic Spanish
Fula Kirundi Korean Turkish
Did I mention that we also
Hear Portuguese and Togolese...
Do you still wonder 
Why I love teaching these?


Monday, February 9, 2009

Amélie Nothomb est choquante!


Hier, j'ai eu un choc.  Pendant plus d'une heure, en présence d'une centaine d'autres personnes rassemblées à l'Alliance Française de Washington, j'ai joui en écoutant l'auteure belge Amélie Nothomb.  Hier, je ne connaissais rien d'elle.  Hier, j'ignorais tout de cette femme qui depuis 15 ans publie un roman par an et qui est actuellement une des plus grandes auteures à succès de la langue française.  Hier, lorsque j'ai serré la main d'Amélie Nothomb et me suis fait dédicacer un de ses livres, je n'avais encore rien lu d'elle.  Je me suis jurée sur place de tout lire d'elle tant le choc qu'elle m'a procuré fut vivifiant.  Où puise-t-elle donc sa capacité de parler avec tant de clarté, de drôlerie, et d'irrévérence ?  Comment fait-elle pour manier ainsi la langue française pour être à la fois fraîche, subversive, gaie, percutante, impertinente, amusante, inattendue ?  Quelle magie opère-t-elle pour qu'un homme de très grande culture lui avoue devant tout l'auditoire " Vous m'avez redonné le goût de la lecture." ?  Cette remarque - belle et émouvante - en dit long sur son talent d'écrivain. Ce qu'elle disait était à la fois sensé et fou, profond et léger, grave et humoristique.  Son intervention avait la forme d'un entretien : le journaliste Claude Porsella lui posait des questions, elle répondait. Ses réponses furent comme elle : tour à tour comiques, justes, graves.  De retour à la maison, j'ai eu le plaisir de goûter à son "Stupeur et tremblements" - j'ai tout avalé en un seul morceau - et je ne me suis pas trompée... Je dois tout lire d'elle.  

Belge, fille de parents diplomates, née à Kobe au Japon, elle ne met les pieds dans "son" pays, la Belgique, qu'à 17 ans.  Mais est-ce son pays ? Difficilement.  Son Japon natal lui tient encore plus à coeur; cependant, son retour au pays du soleil levant après des études universitaires en Belgique lui réserve bien des surprises. Heureusement pour nous, ce sont ces expériences là, aussi désastreuses que fécondes, qui sont à l'origine d'une oeuvre littéraire dont nous nous régalons aujourd'hui.  Sa recherche d'identité, sa soif de comprendre la vie, ses observations d'un écartèlement vécu entre les langues, les cultures, et les valeurs nous valent, à partir de ses 23 ans, une auteure pour le XXIe siècle.  Ses étonnements, ses déceptions, ses découvertes, ses blessures, et son coeur qui chavire entre son pays natal et le pays de ses ancêtres sont à l'origine d'une oeuvre immense :  d'ailleurs, son parcours fait penser à d'autres, celui par exemple d'Edith Wharton, elle aussi tiraillée entre sa culture d'origine et celle qu'elle choisit, en prise continuelle avec une quête d'identité au thème universel d'appartenance.  Tant de personnes peuvent s'identifier au déracinement qu'a vécu Amélie Nothomb.  Son histoire lui donne autant un regard extérieur empreint de douleur et de pathos qu'un regard intimiste lui permettant des observations pertinentes sur la vérité humaine.  Tous ceux qui expérimentent un statut d'excentrique peuvent comprendre d'emblée, mais tous ne sont pas capables de l'exprimer comme le fait Amélie Nothomb.

Je suis arrivée à l'Alliance portant un chapeau.  Elle est arrivée en chapeau.  A mon insu, elle est connu pour ses chapeaux.  Lorsqu'elle dédicaçait mon livre, j'avais l'impression qu'elle remarquait le mien. Mais elle a simplement dit "Jane : c'est un prénom que j'aime beaucoup.  Good-bye, Jane, and thank you so much for coming." C'est moi qui vous remercie, Amélie.  Quel choc !